The good book of Church

Despite changes of the past couple years, Portlanders still seem to prefer their indie rock as “big” as possible. With local folk orchestras stretching their memberships to the breaking point, and Craigslist ads appearing daily to inquire about the availability of a competent oboist, it seems that texture has grown into a paramount concern for emerging artists.

Despite changes of the past couple years, Portlanders still seem to prefer their indie rock as “big” as possible. With local folk orchestras stretching their memberships to the breaking point, and Craigslist ads appearing daily to inquire about the availability of a competent oboist, it seems that texture has grown into a paramount concern for emerging artists.

Anyone who frequents this city’s multitude of basement shows can attest that such ambitious projects often collapse under the weight of their own symphonic aspirations. Such difficulties make it all the more impressive when a band can combine mood and layered arrangement into songs which achieve their intended intricacy without succumbing to overindulgence. The recent emergence of the band Church has provided us with another example of just how this balance can be utilized to impressive effect.

Based on the collaboration of brothers Richard and Brandon Laws, Church have created a perfection of texture that leaves little room for improvement, even on the tracks of their recent debut EP, With All Our Love for Francisco the Man. Despite consisting of only three members–the brothers Laws and roommate/collaborator Cristof Hendrickson–the band’s music has managed to project an expansiveness which defies its limited membership.

“Richard and I have known for a while that we would be playing music together full time at some point,” said Brandon Laws. “It was just a question of when. Cristof and I had played in electronic groups throughout college, and we would e-mail each other often. Most all our conversations eventually led to music and all of its beautiful possibilities. Church is the result.”

Among three members, Church manages to pile guitar, moog, banjo, glockenspiel, Rhodes organ, percussion and a metric ton of reverb onto their songs without sacrificing the tunes’ cohesive feel. No small task, mind you, but the group’s cock-eyed approach to instrumentation has in some ways dictated a sound that has no choice but to seek out odd sonic nooks and crannies. With three distinct voices in their writing process, Church have become experts at the art of creative balance.

“We usually add most the layers as a full band,” Laws said. “And actually, when we write a song we purposely leave it very open to the interpretation of the group. We tried writing music first and ended up with these intense jams that weren’t flexible at all. It’s too easy for us to get attached to certain elements of a song and forget the whole, unless we make a conscious choice to write with the whole song in mind.

“We like to write music very sparsely … and then once a song is mostly completed, we will try it out with several different instrumentations. Something will usually feel ‘right,’ and then we’ll keep adding things to it until we stop.”

Though Church’s songs feel like they could have fallen apart due to one overdub too many, they instead stand as enticing, complete works whose sudden emergence has caused a widespread double-take on the part of Portland’s music aficionados.

Less than two months after the release of their debut EP and still working without the assistance of a booking or PR agent, Church have nonetheless managed to make a name for themselves in one of the nation’s most populous music marketplaces. Having just released a single on Tender Loving Empire Records, the band is set to spend the next month on the road, snaking down through their native California in promotion of their debut release.

“The tour only happened with a little help from our friends,” Laws said. “We are not very good at taking care of the business part of it at all. At some point we will definitely have a booking agent, but mostly just because booking shows is not something we are good at.”

Despite their apparent lack of talent for the “business” aspect of their careers, Church have been gathering steady buzz over the past couple of months, exclusively on the merit of their infectious songcraft. If anything, this proves that business ability is meaningless, if not coupled with creativity, an attribute that Church have in abundance and are likely to continue displaying.

“This is what we have wanted to do for years. Somehow my brother and I haven’t lived in the same town for any extended period of time since high school, but now that we are finally in a band together, there are all these ideas we have had underneath the surface–dormant volcanoes–getting their chance to be actualized. We are definitely moving at a faster pace than most bands, and I don’t see us slowing down at all for at least a year.”

Church8 p.m., Saturday, May 11 Valentine’s (232 S.W. Ankeny St.) FREE